Mamdouh Hamadeh

How do you make a character of flesh and blood on paper? A journey into dramatic psychology and the three dimensions of character.

The director is not merely an executor, but a script's second author. A study of the contemporary director's tools and how to use them.

A comprehensive review of screenwriting's most influential reference book, and a look at its classic three-act paradigm.

An analysis of how tragedy is enlisted to produce laughter, with examples from enduring dramatic works that exposed the unspoken with a smile.

Why does some dialogue read as wooden while other dialogue breathes? Practical notes on writing dialogue that lives.

A jailed conscript finds a novel with its pages torn out, and spends a lifetime searching for the ending of an Indian rebel's story.

A love poem by Mamdouh Hamadeh (2003): a love as plain as a stab in the flank and as lasting as forever.

A short poem by Mamdouh Hamadeh that retells the myth of the abduction of Europa.

A poem by Mamdouh Hamadeh about a last night, and the tale of Aladdin and the magic lamp.

A poem by Mamdouh Hamadeh about a word that means all things, and that he has not yet found.

A short poem by Mamdouh Hamadeh about the missing moment at which we are to meet.

The iconic comedy that chronicled the life of the fictional village of Umm al-Tanafes al-Fouqa with sharp, deeply observant satire.

A social comedy tracking the feud between the Bou Qa'qour and Bou Malha families, dissecting the structure of traditional society.

One of the earliest works to spotlight bureaucracy and social transformation with a critical eye.

A comic Bedouin series about two foundlings raised by the whole Tawarid tribe, now rivals for Wadha's love.

Men push a giant millstone under a red flag, fists raised and throats hoarse, circling in a ring of footprints: a great deal of motion and no progress.

A wall of grim players shielding themselves with their hands, while the goalkeeper watches in alarm from the side.

An empty cuckoo clock, its little door dark, the yellow pendulum swinging with no bird to announce the hour.

A black kettle-shaped figure rolls yellow paint over a cracked tiled wall to hide the damage.

A fish reduced to its skeleton, the bait-worms on the hooks gnawing at what is left of it.

Two rival powers, yellow and blue, in a tug-of-war over the orange globe of the world.

The original script of the series' first episode, introducing the people of Umm al-Tanafes al-Fouqa.

The script for the episode covering Abu Qa'qour and Abu Malha's feud over the mukhtar's seat.

A complete 50-lesson course in screenwriting and scene acting with Mamdouh Hamadeh — from the first idea to the filmed scene.