Directing: Seeing Beyond the Text

The Second Author

When a writer hands a script to a director, a second act of authorship begins: where does the camera stand? When does an actor fall silent instead of speaking? Which visual detail says what the dialogue never did?

Good directing never betrays the text, but it never merely translates it literally either — it gives it a body.

A good director doesn't execute the script — he rediscovers it.

Mamdouh Hamadeh